Ritualistic Nature: LUNA DOPA & EMME YA - The Hidden Walker / Apotheosis Psychoerotica (split-2011)

domingo, 4 de setembro de 2011

LUNA DOPA & EMME YA - The Hidden Walker / Apotheosis Psychoerotica (split-2011)

LUNA DOPA is handled by the enigmatic shape of Gabriel Luis B,an Italian  deconstructionist and artist which has been deveoping its talent through  many magickal devices, by his personal interest on esotericism and occult matters. He creates  ritualistic ambient pieces,which surely will transports us to such unknown regions of our subconsious, with deep engulfing drones that grow stronger and is swelling like the ocean to take the listener deep into his magic sound world.

EMME YA is the in deep exploration of Edgar Kerval in the fields of sonic mutations and hybrid soundscapes emerging from astral atavisms. Emme Ya is related to a probaly black planet with two suns (256=11x23 E.Q.) in the Sirius binary star-system.The main influences are the ancient mystical cultures,as  atlantis,sumerian gods,voodo pantheon,atavisms,and diverse abstract  forms which reflects into our mind,more than the perceived reality  hidden in ancient stellar wisdom.This enigmatic ritualistic sound structure are filled with dense astral emanations and magickal paradigms.

HIGHLY RECOMMENDED.

Released on 2011 by Nihil Art Recs label

1- LUNA DOPA: The Absence

2- LUNA DOPA: The Ninth Walker

3- LUNA DOPA: The First Shadow Over Myself

4- LUNA DOPA: Stellarum

5- EMME YA: Astral Nekrophilia

6- EMME YA: Gate Ov Dreams (Labyrinth 71)

7- EMME YA: The Dance Of Kali Ma

8- EMME YA: Qoph Vel Hekate

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RITUALISTIC NATURE PURPOSE

The objective of this blog its to post music related with Ritual music, in traditional ethnic way or on Modern side, Ambient, Tribal, Drone, Field Recordings etc. with a strong inspier in NATURE and is cycles.

There will be a predominance of music on Ritual Ambient, a sub-genre of dark ambient:

" This form of Dark Ambient music usually incorporates more acoustic instruments and voices than any other Ambient Music form. Elements of various ancient rituals are abundant, with appropriate samples, obscure instruments, chanting voices, some tribal rhythms (that can get quite manic and intense at places). Sometimes (but seldom) with Satanic overtones. Often epic, with Pagan ambiences, i.e. crackling fire, singing bowls, voices from the woods, etc. I would call this separate, but somewhat related subgenre Pagan Ambient, which is generally much brighter and focuses of natural ambiences and pre-Christian traditions."

The links are from my own Colecction or taken from other places in Net (in this case i will always say from where)

I ONLY post here music that i like and that in my opinon, have creativety and quality.

THE RITUAL

- RITUAL
"A ritual is a set of actions, often thought to have symbolic value, the performance of which is usually prescribed by a religion or by the traditions of a community by religious or political laws because of the perceived efficacy of those actions"

- RITUAL ACTIONS
Due to their symbolic nature, there are hardly any limits to the kind of actions that may be incorporated in a ritual. The rites of past and present societies have typically involved special gestures and words, recitation of fixed texts, performance of special music, songs or dances, processions, manipulation of certain objects, use of special dresses, consumption of special food, drink, or drugs, and much more. Religious rituals have also included animal sacrifice, human sacrifice, ritual suicide, and ritual murder. Ritual lamentation -- song performed with weeping -- in many societies was regarded as required to ritually carry the departed soul to a safe afterlife

- RITUAL PURPOSES
Ritual serves diverse purposes including, but not limited to:Worship; Ritual purification with the aim of removing uncleanliness, which may be real or symbolic; Atonement ; Dedication; Education

- MUSIC AND RITUAL - MUSIC AS RITUAL
Music is strongly linked to ritual, not only in Western civilization but all over the world and from its first appearance onwards. Music is an essential part of religious rites, is to be found in rites of transition and has its obvious and central place in medical and paramedical rituals such as shamanic healing processes and in the treatment of obsession.
Although musicology has been aware of music’s essential role in ritual, research has concentrated mainly on religious rituals in the past (see for instance the contributions to voluminous publication by M. Honegger, Ch. Meyer and P. Prevost, La musique et le rite sacré et profane, 2 vols, Strasbourg 1986).
On the other hand, refences to music can be found in numerous studies on rituals from ethnogical, sociological and cultural points of view, from the seminal works by Victor Turner (The Ritual Process, 1969) and Mary Douglas (Natural Symbols, 1970) to more recent studies such as Hans-Georg Soeffner’s Die Ordnung der Rituale, Frankfurt 1992, and the articles collected by Andrea Belliger and David J. Krieger, Ritualtheorien, Wiesbaden 1998. A starting point for the seminar is Artur Simon’s magisterial contribution on African rituals of obsession Musik in afrikanischen Besessenheitsriten in: Artur Simon, Musik in Afrika, Berlin 1983. The particular importance of music in ritual might be due to the fact, that music itself is a ritualized means of commucation, especially in contrast to ordinary speech and spontaneous vocal utterances. Musical behaviour is easily described in terms of ritualization in ethological perspective, as given by Eibl-Eibesfeldt (‚Ritual and Ritualization from a Biological Perspective’, in: M. von Cranach et al. eds, Human Ethology – Claims and Limits of a New Discipline, Cambridge 1979). These include simplification as well as exaggeration of ‚natural’ behaviour, emphasis on certain elements, repetition, and stability in intensity and speed.

p.s. words taken from Wikipedia and from univiu.org

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domingo, 4 de setembro de 2011

LUNA DOPA & EMME YA - The Hidden Walker / Apotheosis Psychoerotica (split-2011)

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